Best known for American History X, filmmaker Tony Kaye has been working on Lake of Fire for the past fifteen years and has made a film that is unquestionably the definitive work on the subject of abortion. Shot in luminous black and white, which is in fact an endless palette of grays, the film has the perfect aesthetic for a subject where there can be no absolutes, no "right" or "wrong." He gives equal time to both sides, covering arguments from either extremes of the spectrum, as well as those at the center, who acknowledge that, in the end, everyone is right - or wrong.